Most of OKF was shot in natural light, as most scenes were shot on a trailer. There was just one daylight shot that allowed the use of a 12x12 overhead. The night scenes however were fun to light with a LUT similar to 500T film. To keep the warm look, the lamps therefore had to be even warmer.
Director: Jan Ruckes
AD: Tom Ruckes
Production: Tante Emma
DoP: Jakob Dombrowski
Editor: Louis Herr
Gaffer: Fine Susanna Gumpert
Sparks: Samuel Kupski, Jakob Bey
Colorist: Dennis Kaspari
Tante Emma: Hash, Siggi, Ace, Kabel
Doubles: Arne Schröer, Levin Sicking, David Roters, Urs Hnida
